The Red Parrot

Well it’s another Friday night in 1983 and I’m somewhere near the end of a block long line way, way west, overlooking the Hudson River on W 57th Street. In my, and the other fifteen hundred people on lines hand is our Susan and Bruce five dollar discount club pass for the Friday night party at the Red Parrot. Somehow like a kind of disco telepathy all us night clubbers of more modest means got word that these passes were available from a mysterious couple known as Susan and Bruce. No one actually knew who this couple was but their names were printed on each of the invites. Obviously this was some type of marketing scheme to direct a herd of heavy drinking customers into a club. You could get on a mailing list and wouldn’t get any more new passes if you didn’t use your last ones. I used to get mine from some guy giving them out on the trading floor when I worked at the NYSE. I think you could also get them at places like Tower Records and such. With a coveted Susan and Bruce pass in your hand a twenty dollar admission was only 5 dollars until 11:00 when it went back up to twenty. Sometimes admission was free and on occasion they even had an open bar from 10:00 to11:00 where you could drink as many plastic cupfuls of Gorgi vodka screwdrivers you can manage to fight your way to the front of the bar for. There was also a discount party pass available from the promoter Baird Jones. On each pass was a cartoon image of the weird baseball cap wearing gossip columnist promoter. He currently is known as a curator for Webster Hall who occasionally spreads his tittle-tattle celebrity quotes from page six of the NY Post. I suppose someone could look at the crowd as a bunch of disco losers looking for a night out on the cheap, but there were lots of really outgoing friendly people and plenty of women out for some major partying. And the passes always guaranteed that the club would be packed. Plus it was Friday night. Everybody knows that Saturday night was date night. But tonight was FRIDAY! Unlike Studio 54 this club was accessible to all. If you waited on line you got in, as long as you weren’t too visibly intoxicated and not wearing jeans or sneakers. There were always some couples making out on line as a prelude for all the sexed up dancing they would do inside. It was always amusing to see the cheap guys using this discounted night of clubbing as an inexpensive date. It could be a bit of a rough crowd. Actually, in the clubs later years I think there were two stabbings on the dance floor one night after I left the club. Near the end run of the club there were so many bouncers frisking you, and with the giant metal detector you had to walk through it felt a bit like you were being incarcerated and one did have a slight feeling you were taking your life in your hands for a night of dancing.

When the club first opened in 1979 it was very exclusive and trying to compete head on with the opulence of Studio 54. Being the size of a gigantic airplane hanger with a slightly cheesy but elegant futuristic art deco look the club was quite impressive. The club also had a first class big band swing outfit called “Joe Cain and the Red Parrot Orchestra” This was quite a sight as they went out all the way with a huge art deco stage. There must have been thirty to forty musicians all wearing velvet tuxedos playing energized sets of blaring first rate swing music. Owner Jimmy Merry, who was supposed to be a really nice guy and a cool person to work for made his fortune primarily in Gay clubs in Fire Island and places like New York’s Ice Palace spared no expense. Then there were the parrots. Yes there were real live actual parrots right there in the club but I will get back to them later. When it first opened the club was mostly filled with insider New York City inhabitants, VIP execs, veterans of the downtown gay scene, even celebrities like Liza and Diana Ross. Then as a common progression in a NY nightclubs life, a once exclusive A list club evolves into a night of the living bridge and tunnel people. And this Friday night was during the Parrots mid to late period when the clubs clientele had already began changing into the nightclub crowd that filled the place until its closing in 1987. But this was still NY city and hey….who am I…I ain’t no celebrity. Fuck that VIP bullshit anyway. The long line was truly a multi ethnic diverse crowd, made up of all kinds including: Some Manhattanite downtown types, Jersey girls all done up, Latinas from the Bronx in skintight dresses, well dressed buppies, breakdancers in big parachute pants, Wall Street and office workers, super hot guidettes, superfly dressed soul Bruthas, a few disco/new wavers and of course the ever present car loads of hair gelled, weight lifting testosterone fueled Guido pick up teams from Bay Ridge seriously on the prowl. Late night early morning around two AM the Tony Montana (Scarface) types would strut in wearing the full uniform, floor length black leather jacket with gold chains and the obligatory coke spoon necklace.

That night I made the big mistake of taking the three Quaaludes (I spelled qualude wrong but it is in the spell check, can you believe that) on an empty stomach way too early. The line was moving slower than a Friday rush hour summer traffic jam on the LIE. You see they spend hours checking ID’s of the many many underage little hotties trying to gain entrance with all kinds of phony or borrowed ID’s. And here I was getting all tingly and ready to hit the dance floor in a buzzed out disco frenzy. Feeling that woozy confidence and quite debonair I start chatting up the nearest attractive female on line. “Like to dance…..lets dance when we get inside…..live in the city?” I would sometimes go out on my disco odysseys with a buddy or two but what I really liked was flying solo. The flexibility was exciting and you never knew where the night would take you. No worries about if your friend didn’t hit it off with the friend of the Jersey girl you were trying to get better acquainted with or anything like that. Also I had nightclub attention deficit disorder meaning if I didn’t like the crowd or the ratio of men to women was terribly offset with the usual way too many guys I would be off to another club leaving my friend saying, “leave, we just got here”. This was especially true when doing ludes and drinking, when there was a few hour window of opportunity for maximum disco nirvana before you wanted to just lie down and pass out with your shoes on. Seeming like hours later I finally make it to the entrance and get frisked by the huge shouldered bouncer at the door. Already almost an hour and half since I took the pills I’m already getting sleepy eyed and feeling dizzy and slightly nauseous. But when I hear Rick James’ “Super Freak” knowing it’s a song I can really groove to, immediately energized I charge for the dance floor and go for my first attempt in a long night of “wanna dance” approaches . The performance of these dance mating rituals was quite a sight to behold. Often the dancing was intensely sexual enabling partners to show each other how great they would be in bed. At the entrance was a long futuristic looking wire mesh surrounding a huge dance floor, I guess for atmosphere and maybe to contain the frenzied dancers. I think at this point they still had the orchestra which would alternate sets with the DJ’s. As much as I liked the swinging jazz band I couldn’t wait until the DJ would take over and play something like “Don’t You Want Me Baby” by the Human League so I could head back to the floor. Swing dancing was not my thing. The tops of the long art deco bars were white frosted glass neon lit from underneath. The bar itself seemed to emanate this weird sci fi white glow that looked really cool after few drinks. Like you were in some kind of disco dream world roaming around in the glow of New York nightlife. Then on each side of the massive room were the parrot cages. Real live parrots, two per cage in two big lit displays on each side of the room. I remembered the parrots to be in just in open cages. I wondered how it was possible they could survive a night after night of smoke, loud music and human BO. Often drunk club goers could be seen yelling at or taunting the poor parrots. Well they were a novel conversation starter. I read on a disco blog recently that the parrots were actually in air filtered glass booths protected from the disco masses. I wonder if the society of cruelty to animals ever looked into the emotional well being of the parrots having to go through so much disco partying. Maybe they liked it.

The huge cavernous space was a perfect place to utilize my hit and run dance floor strategy. You see in a small club or lounge with a small area for dancing you go up to your perspective dance partner and ask “wanna dance,” “No thanks”. Now everyone in earshot knows you’ve just been rejected. Obviously you can’t just walk up to the next group and ask one of them “do you wanna dance”. Although in certain cases when intoxicated enough I have been known to just go down a long line of females asking each one to dance until I got a positive response. That numbers game has been championed by disco sleazoids forever. But in a club as big as the Red Parrot after getting rejected a few times in one corner you simply jog over to another quadrant of the football field sized dance floor and start all over. I remember trolling around the sides of large oval floor where small groupings of women would be positioning themselves to either accept a dance or continue talking with their friends. I remember one spot along the side on the right as the Filipina corner as large groups of Filipinas would congregate there.

Well, it’s almost three thirty and the dance floor is finally thinning out. In my groggy assed state it all seems rather surreal at this hour. Why did they always play the really annoying “Saftey Dance”at this point in the night.Got three phone numbers and my legs are tired from a long night of dance floor maneuvering which includes my sort of new wave version of the sixties dance “the slop”. Still pretty buzzed I decide to walk back to my Upper West Side apartment and maybe stop at the all night pizza place on Broadway for a slice of heartburn delight that really hits the spot right before passing out in my bed. Very Film noir. Just another Friday night.